This series of monotypes engages with the classic genre of portraiture as well as scenes of human relationships. The layering inherent in monotype printing mirrors the fragmentation and disconnection of contemporary experience, where identity appears as something shifting, unstable, and never fully resolved. The overlapping, partially obscured images reflect this sense of incoherence, making the medium itself a metaphor for a fractured, multi-layered subjectivity.

At the same time, the works acknowledge something inherently mystifying about the human being and the way one engages with social surroundings. There is a constant process of growth and fermentation—an inner becoming that resists being fully grasped or fixed in image. Each monotype becomes a way of engaging with and researching the problem of human interaction as it unfolds today: fluid, unstable, and continuously shifting, yet embedded within a complex and ultimately beautiful world.