Blues on White: Art Exhibition Celebrating the 30th Anniversary of Taikang Insurance Group
XIE Qun, ZENG Hong
Curator: XIN Yunpeng
Group Exhibition, Taikang Art Museum, Beijing
As Taikang Insurance Group celebrates its thirtieth anniversary, the Taikang Art Museum proudly presents the major exhibition Sketching in the Wind, officially opening on August 4, 2026. Thirty years pass like the wind—we invite every fellow traveler to join us in this artistic rendezvous that captures both the era and the self.
The introductory hall features five key works from Taikang’s collection, offering a curatorial précis that anchors the temporal coordinates of Taikang’s collecting system while establishing a reference point for the subsequent journey into the contemporary art scene since 1996. The main body of the exhibition unfolds through five chapters—”Skin,” “Wind,” “Earth,” “Traces,” and “To Remain.” “Skin” begins with familial experience and bodily perception, touching the most subtle and sensitive surface of individual emotion. “Wind” turns toward urban flux and social reality, bringing together works of intense temporal and spatial tension—including Zhang Dali’s Demolition·Forbidden Cityand Huang Yong Ping’s The Python Plan—to present the freedom, order, and unease of a rapidly changing world. “Earth” revolves around homecoming, migration, homeland, and identity memory, asking how one re-understands one’s origins after the sedimentation of time. “Traces” presents the fragments, echoes, and narratives that time leaves in life. “To Remain” poses the ultimate question: what can art truly preserve? In the epilogue, works such as Alexander Kluge’s Cosmic Miniaturesbring together the small scale of individual life and the grand scale of thought, guiding the exhibition from personal experience toward a broader consciousness of time and existence.
This exhibition innovatively creates an immersive sensory environment, engaging both sight and sound to restore the most authentic texture of life. The gallery space breaks free from the rigid conventions of the traditional white cube, constructing a relaxed, open, and multi-dimensional field where viewers and artworks coexist in symbiosis—allowing the body to resonate with art in shared vibration.
When you step inside, your story becomes part of the exhibition itself.


